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  • Lin Yi
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198Born in Chaozhou, Guangdong Province

2014 Graduated from the Sculpture Department of Guangzhou Academy of Fine Arts with a bachelor´s degree

201Graduated from the Fiber Art Department of China Academy of Fine Art with a master´s degree

Currently works and lives in Hangzhou

 

GROUP EXHIBITION

2019

Boundless Encounters - 2019 Hangzhou Triennial of Fiber Art, Zhejiang Art Museum, Hangzhou, China

The Seventh Tomorrow Sculpture Awards, Art Museum of Sichuan Fine Arts Institute , Chongqing, China

Echoing Time - The 3rd Frontier Fiber Art Exhibition, The Roof Art Museum, Hangzhou, China

2018

Looking Ahead Gazing Downward - 2018 International Folk Art and Design Invitational Exhibition, Bao Shan International Folk Arts Exposition, Shanghai, China

SilkBreaking Boundaries of Its Dimensions - Contemporary Chinese and Foreign Embroidery Art Exchange Exhibition, Han Shan Art Museum, Suzhou, China

2016

Chinese Pose - The 4th China Sculpture Exhibition, Shandong Art Museum, Jinan, China

2014

The Twelfth National Exhibition of Fine Arts, Taiyuan Art Museum, Taiyuan, China

2013

Zero First Contemporary Sculpture Exhibition of Female Sculptors, Zero Art Center, Beijing, China

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Lin Yi: In my works, I emphasize a kind of repetitive work, which reinforces the identity and status of women's work in daily life. In the endless and meaningless repetition, I experience the boredom of life and the long time. Repetitive elements appear again and again, and even become outrageous. And each piece of rework is not simple and easy, I always choose the way of making trouble, such as knotting, embroidering, needling, weaving, etclaborious behavior, unlimited repetitive work. In this kind of extremely boring time to kill, in the seemingly dull and do not please painfully way, it suddenly sublimes, tingling in the puzzling vertigo inner emotions, feeling awkwardness and deceasing wisdom. Recently, I began to pay attention to the contingency and sociality of materials, extending from my own life to the relationship between society and myself. With materials in life as carrier, I emphasize elasticity, body, events, subtlety and other issues, and discuss the contradiction between human existence in space and field, family and society on the boundary of contingency and necessity.

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