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  • Qiu Qingyun
  • Resume
  • Article

1986 Born in Shaoguan, Guangdong Province

2006 Graduated from the Attached High School of Guangzhou Academy of Fine Arts

2010 Graduated from the Printmaking Department in Guangzhou Academy of Fine Arts with a bachelor´s degree

2013 Graduated from the Woodcut Painting Creation and Research of Printmaking Department in Guangzhou Academy of Fine Arts with a master´s degree

Currently works and lives in Wuhan

 

GROUP EXHIBITION

2019

WEAK WATER - Exhibition of Installation Works, Youpin Space, Wuhan, China

SO CLOSE YET SO FAR, Youpin Space, Wuhan, China

2018

Art Taipei, Taipei World Trade Center, Taipei, China

Multidimensional Landscape in 2018 - Women Artists Art Exhibition, Art Museum of Hubei Institute of Fine Arts, Wuhan, China

The Sixth Session of the Youth Fine Art Exhibition, National Art Museum, Beijing, China

2017

Refocusing | Opening Exhibition of Fine Arts Literature Art Center’s New Space, Fine Arts Literature Art Center, Wuhan, China

QIU Qingyun & ZHA Sai Exhibition of Works, YI YUAN SPACE, Wuhan, China

2016

PLF - The 1st Künstlerische Pluralität Deutschland China, Excellence Award, Kunsthalle Düsseldorf, Düsseldorf, Germany

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Qingyun’s paintings are an attempt to “reproduce” across space and time. She tries to create a reality imagination, but it seems to transform the cruelest facts into a new kind of faith and pull everyone into a healing world of collective imagination. Qingyun tries to reconstruct with multi-perspectives and stack like looking through a kaleidoscope. Using seemingly hard pen to paint repeatedly and assembling brightly, she finally crafts a fantasy world filled true and false "pleasure". Her work is like an exhibition show or a theater-style artistic experiment. The scenes may be derived from real personal experience, created by media or elaborate theaters designed by herself. In a word, she leads the viewers into a collective review of a wonder world. -Chen Chaoxing (Vice President of the UNESCO International Association of Art Critics)
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