1987 Born in Xiamen, Fujian Province

2016 Graduated from the Experimental Art of Central Academy of Fine Arts with a Master´s degree

2018 Working at the College of Fine Arts of Huaqiao University

Currently works and lives in Xiamen and Quanzhou

SOLO EXHIBITION

2009

"zhun" solo Exhibition, Jimei University, Xiamen

GROUP EXHIBITION

2019

"Tradition and New Art" exhibition, Koganecho Art Center, Yokohama, Japan

"On the Road" Young Artist Nomination Exhibition, Guan Shanyue Art Museum,Shenzhen

2018

"soaking things silently" 8090 Contemporary Art Exhibition, Quanzhou

"Link in place"2018 Jimei Arles , Jimei Three Shadows, Xiamen

2017

"Cross Works" New Media Art Exhibition, Dordrecht Museum, Netherlands

"Dumb" Sound Art Festival, Houtian Ancestral Temple, Xiamen

"Dashe project" 2017 Jimei Arles , Jimei Dashe，Xiamen

"Free Individuals and Black Holes" Duishan Contemporary Art Exhibition, Duishan Art Museum, Xiamen

2016

"Ecology and People" Contemporary Ecological Art Exhibition, Shijiazhuang Art Museum, Hebei province

"Space Negotiation" CAFA Biennale, CAFA Art Museum, Beijing

The origin of this work comes from phone numbers advertising services that are randomly and repeatedly pasted and sprayed in the public areas of a neighbourhood. Some of these advertising messages become unrecognizable garbled codes. As a kind of social "calligraphy", they transmit information, whilst also constructing new sequences of symbols. The artist constructs irregular arrangements of numbers or words, creating garbled codes that change from concrete to abstract, forming unreadable symbols. Electronic page turners incessantly transmit this invalid information. However, it’s not that the garbled codes are uninterpretable, but that we have not yet mastered the method of interpreting them. When faced with the incomprehensible, we should perhaps revere it, or maintain silence.