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  • Han Fei
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Han Fei

1982 Born in Henan province, China

2009 Graduated from Tianjin Academy of Fine Arts with bachelor’s degree

Currently live in Beijing




The 6th National Youth Printmaking Exhibition, Shenzhen, China


“Engraving & Re-engraving” East Asia Printmaking Exhibition, Gwangju, South Korea

China-Korea International Printmaking Exchange Exhibition, Gwangju, South Korea


“Imprint Series” Celebrating “The Belt and Road Initiative: New Power Printmaking Creation Tour of Western Youth Prints”, Kunming, China


National Exhibition of Outstanding Fine Arts of the 11th China Arts Festival, Xi’an, China


The all-army exhibition commemorating the 70th anniversary of the victory of the World Anti-Fascist War and the Chinese People’s War of Resistance Against Japanese Aggression, Beijing, China

“Let History Light Up the Future: Chinese Military Culture Week Celebrating the 70th Anniversary of the Victory of the World Anti-Fascist War”, Moscow, Russia

The 5th Mission Hills International Printmaking Biennale, Shenzhen, China


The 12th National Art Exhibition, Guangzhou, China

The First 100 Jinling Printmaking Exhibition, Nanjing, China


20th National Printmaking Exhibition, Harbin, China


National art exhibition celebrating the 85th anniversary of the founding of the army and the 12th All-Army ExhibitionBeijing, China

5th Beijing International Art Biennale, Beijing, China


19th National Printmaking Exhibition, nominated works by China Fine Arts Award, Hangzhou, China


11th National Art Exhibition, and the All-Army Exhibition celebrating the 60th anniversary of the founding of the People’s Republic of China, Beijing, China

“Ask Heaven” attending the 9th National Three Prints Exhibition

“Cicada II” attending The 11th Tianjin Art Exhibition, Tianjin, China


Spanish International Printmaking Biennale, Taipei, China

13th Taiwan Printmaking Biennale, Taipei, China


Belgian Paper Art Exhibition, Belgian


In the name of the carrier of grotto art, the designer incorporates individual “dust” and social “mountain” into the life enlightenment to reflect and build a clear state that is consistent with modern people’s psychological desire and aesthetic needs in the back and forth between thinking and action, feeling and understanding. In the open boundless horizon is the vast land of chaos. In ancient times the statue of Buddha gazed at all living beings, peaceful and compassionate. The thick ink color and the block surface carry a sense of inexplicable occlusion and depression; while the impression walking in the middle has the feeling and association of "a bodhi in a leaf”. The work is highly refined and summarized in a simple and sincere way to convey the emotional care for human beings and all other things, with a gentle and lasting spiritual luster and in-depth thinking.