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  • Huang Zikai
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Huang Zikai

Personal resume

1989 Born in Xiangtan, Hunan province, China

2012 Graduated from the Printmaking Department of China Academy of Art.

Member of Chinese Artists Association

Hunan Youth Painting Academy employs painters

Beijing Contemporary Chinese freehand oil Painting Academy special creator

Qi Baishi Memorial Hall Special Artist

Xiangtan Youth Artists Association Vice Chairman

Secretary general of Xiangtan Oil Painting Art Committee.

 

GROUP EXHIBITION

2021

"Post Road Canal Situation" National Art ExhibitionMuseum of Gaoyou, Jiangsu, China

2020

Yellow River Under Heaven -- 100 Oil Painters Exhibition, A9 Art Museum, Lanzhou, Gansu, China

The Ninth National (Dafen) Young and Middle-aged Oil Painting Exhibition, Red Cube of ShenzhenShenzhenGuangdongChina

2019

The eighth National (Dafen) Young and Middle-aged Oil Painting Exhibition, Dafen Art Museum, Shenzhen, Guangdong, China

The First Chinese Freehand Brushwork Oil Painting Biennale, Li Zijian Art Museum, Changsha, Hunan, China

New Vision of Chinese Art -- The National Art Fund for Young Artists Rolling Funding Project (National Art Fund), Star Island Convention and Exhibition Center, Qingdao, Shandong, China

 

2018

Visible Poem-Chinese Oil Painting Landscape Exhibition, Dongyi Art Museum, Beijing, China

2017

"Qingjin Plan 2017" Exhibition, Zhengguan Art Museum, Beijing, China

2016

"2016 National Oil Painting Exhibition of Wu Guanzhong Art Museum", Wu Guanzhong Art Museum, Yixing, Jangsu, China

"Young Art +" Young Artist Promotion Plan Annual Exhibition, Songzhuang Contemporary Literature Museum, Beijing, China

2014

12th National Art Exhibition, National Art Museum of China, Beijing, China

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I have always been fascinated by the delicate relationship between the interaction of urban spaces to themselves, to man, and to nature.  buildings or spaces to me, they are full of life and historical memories.

I like to observe the daily mix of contradictions and harmony between things. Interdependence, the subtlety of confrontation. From my sensibility of view to deconstruct and reshape, about time, memory, life feelings into the picture, A painting for me is my instinctive way of recording my memories and emotions.

In the current pluralistic social environment, inheritance and change are implicit and constantly updated. People look for themselves in confusion and anxiety. But I think everyone needs a window to reconcile with yourself. For individuals, the creative process is a form of self-dialogue and reconciliation, and I enjoy peace and loneliness in painting.

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