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Jingyi Zheng

1992 Born in Sichuan

2018-2020 DNSEP avec les félicitations du jury

(Higher National Diploma of Plastic Expression, with the congratulations of the jury), major in Art-Media-Environment

École Supérieure d’Art et de Design Le Havre- Rouen, France

 

2016-2018 DNA (National Diploma of Art), major in Art École Supérieure d'Art et de Design Le Havre-Rouen, France

 

Currently lives and works in Chengdu and Chongqing

 

solo shows

2020 Unité d’Inhabitation, Space Wallstreet, Le Havre, France

2019 Capture, Space Wallstreet, Le Havre, France

2016 Lip and mosaic, Space DUCHU, Chengdu, China

 

group shows

2018

Opening performance Cartographie de L’imaginaire, Le Havre,France

Sans Titre, ESADHaR-Rouen, Rouen, France

Opening performance Dé-Formes, Galerie 65, Le Havre,France

2017

Des Rives/Dérives, Ėcole Nationale Supérieure Maritime, Le Havre,France

Sur Table, Space PLOTHR, Rouen, France

 

2016 YOUART—Arts Youth Set, Chengdu Global Center, Chengdu, China

 

2015 Tomorrow, Chengdu Art Museum, Chengdu, China

 

 

Performance Architecture, Fort de Tourneville, Le Havre,France 2019 Biographique, Les Jardins Suspendus, Le Havre,France 2020 Un hiver au Havre, Galerie La Forme, Le Havre,France 2021

MoYi (陌异), online exhibition, China https://mp.weixin.qq.com/s/ 0fIgVJHD6TjtCF-T-y0UNw 2021

打破·⽣锈，Yiiie Gallery, Chengdu, China

假期愉快，Bravo, Carnival!, Topred Center for Contemporary Art, Xiamen, China.

Art Nova 100 Annual Exhibition, Guardian Art Center, Beijing, China.

2st TCCAkids Children’s Art Festival: Convention of the Sea Programme,

Topred Center for Contemporary Art, Xiamen, China.

 

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I regard "construction" as a point of intersection between my various artworks as a research direction. I try to design and plan a "ownerless land" in the fictional scene, in the virtual world, and realistic vision. The "private space, habitat, housing, and urban ecology" are connected together through an ironic and absurd twist.

The land of the free is full of skyscrapers, The place of exile living in debauchery, To dwell poetically becomes a hoax.

Through various medium: installations, images, video, performance, my "construction project" has been wandering between the real world and the aerial fantasy. There is no rationality and no attempt to pursue a balance between these two construction backgrounds. I think more about how to dramatically replace the two identities with each other. My research and creation process is a combination of a series of incidents and comedy sketches. I especially like creating traps in my works and packaging satire into humorous candy to feed the audience.

It seems to be an indisputable fact that the earth is round and continues to rotate. But how to live on the earth is still inconclusive. If we are determined to face the facts seriously every moment, if we are determined to live in a creative and real way, it is not enough to breathe smoothly. We must invent new "operation" tools every time, and put forward solutions to new problems every time.

For me, constantly creating every unrealistic place is my way to solve the problem.

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