1990 Born in Qingdao, Shandong Province.

2013 Graduated from the Oil Painting Department of Hubei Academy of Fine Arts with a bachelor's degree

2016 Graduated from the Oil Painting Department of Hubei Academy of Fine Arts with a master's degree

Currently works and lives in Hubei

 

SOLO EXHIBITION

2021

Secret Room-Great Universal Geographic Map—Ju Teng Art Project, Tanghu Art Museum, Wuhan, China

New Objects in the Mahjong Hall/Shanshi Chess and Cards, Wuhan, China

 

GROUP EXHIBITION

2022

Free Activity-solo Group, Art Documentary Art Center, Wuhan, China

Beyond the Gap, The Mixc HCH, Wuhan, China

2021

Beginning of Autumn - 2021 Wicked Guest Program, Star Art Space, Wuhan, China

K11 New Art Creation Award, Wuhan K11, Wuhan, China

2020

"Century Aesthetic Education - Exhibition of Art Documents for the 100th Anniversary of Hubei Academy of Fine Arts", National Art Museum of China, Beijing, China

Hubei Provincial Art Creation Key Project Support Project 2020 Excellent Works Exhibition, Hubei Art Museum, Wuhan, China

East Lake Mining Site, Pompeii Space, Wuhan, China

"Snake Grass Water" Ju Teng and Fan Chujing Double Exhibition, Fan Gallery, Ningbo, China

2019

Cloud Map Immortal 2019—Art Project of Ju Teng and Fan Chujing, Shiwai Space COS-J, Wuhan, China

The 4th Poly "Academy Star", Yiwu International Expo Center, Yiwu, China

Chinese Gesture - The 5th China Sculpture Exhibition, Hubei Art Museum, Wuhan, China

New Vision-Science and Art Exhibition, Wanlin Art Museum of Wuhan University, Wuhan, China

Cheval's Ideal Palace, He Art Museum, Wuhan, China

Concept and Mind, Hubei Academy of Fine Arts Museum, Wuhan, China

2018

7.8.9.Zero - Wuhan Youth Contemporary Art Exhibition, Tanghu Art Museum, Wuhan, China

A3 Art Project Special Exhibition, Hubei Art Museum, Wuhan, China

Lost City, OCT Overseas Chinese Town, Wuhan, China

2017

The 1st "Jun'an Experimental Art Education Award" Exhibition, Beijing International Exhibition Center, Beijing, China

The 2nd Wenbo Palace National Art School Graduate Biennial Promotion Exhibition, Shenzhen Wenbo Palace, Shenzhen, China

The 3rd Shanghai Youth Art Fair, Shanghai World Trade Exhibition Center, Shanghai, China

The 3rd Shenzhen Youth Art Week, Exhibition Hall of Dameisha International Water Sports Center, Shenzhen, China

2016

Asian Young Artists Nomination Exhibition, Today Art Museum, Beijing, China

Ninetowns Art Exhibition Wuhan Station, Hubei Academy of Fine Arts Museum, Wuhan, China

INTER-YOUTH International Youth Painting Exhibition, China Academy of Art, Hangzhou, China

Full-time Postgraduate Excellent Works Exhibition, Hubei Academy of Fine Arts Art Museum, Wuhan, China

2015

Spring Equinox - 2015 Contemporary Art Exhibition, Li Gongdi, Suzhou

The Spirit of Painting, China Yiwu Wenjiao Museum, Yiwu

The 1st Shanghai Youth Art Fair, Shanghai International Exhibition Center, Shanghai, China

Caesars Art Nova, Today Art Museum, Beijing, China

Invitational Exhibition of Excellent Works of Chinese Artists, Shanghai 188 Contemporary Art Gallery, Shanghai, China

Preliminary Plan - Young Artists Series Group Exhibition, Shanghai Peninsula Art Museum, Shanghai, China

The 6th New Star Art Festival, Xi'an Art Museum, Xi'an, China

2014

Jiangnan Show, Umura Art Museum, Suzhou, China

The 5th New Star Art Festival, Today Art Museum, Beijing, China

China Emerging Painting Award Invitational Exhibition, Hi Art Center, Beijing, China

The memory in the history

An excerpt about JuTeng’s artistic creation.

Written by JiShaofeng

 

Three dimensions abound with JuTeng’s visual expression: one is the historical space, the other is the reality arena and the third is the virtual zones. Among which lingers much memories from the childhood as well as the imprints of his life brought by toys, games, comics and the escape rooms, from which we can also find his vision and expectation for the future. Therefore, it is not hard to notice that conventional factors are getting themselves innovated and converted into the contemporary cultural context and local cultures are also being varied and changed under the influence of globalization. But one batch of indisputable fact, the capitalization of art, the internationalization of images, the symbolization of language, the diversification of media, the multiplicity of means, the cartoonlization of expression, and the complexity of semantics has left with readers deep impression. And underneath it all are the cultural codes and passwords orchestrated by JuTeng, for example what kind of visual experience has Great Universal Geographic Map brought to today’s audiences and how many readers can decode the visual secrets by JuTeng and then appreciate them. Obviously JuTeng knows well the significance of a gallery to the youth artists and make full use of spaces available to create a coordination of self-visual representation and possessed space and then make a great harmony in this program. Galleries and artists have achieved a kind of integration and coordination in the project of TangXun New Power.

Of course, we should not only be in possession of experience in the cyberspace but hobbies toward it when it comes to appreciate his images and moreover participate in the artistic creation. His art belongs to the Internet Plus program and to the future. JuTeng uses his historic memories to have a dialogue with the social reality. This phenomenon can be said as a collision of broken memory with fragmented reality, or a mix-up of real space with illusory zones. In such a fragmented reality, JuTeng isn’t devoured by it, instead he hopes to get rid of the haunt of the memory of history, to free from the shackles of the broken memory and fragmented reality, and to move forward cautiously in the reality, while that optimistic mentality and vigorous creative passion inspire him to chase a better future. The interweaving of past, present and future, the mixing of local, global and the contemporary, the blending of tradition, modernity and East-West countries, the echoing voices of pre-modern, modern and post-modern time, the complex and elaborate expression of ideas and the encroachment of the ‘Three-ips’ culture (namely potato chips, movie clips as well as microcomputer chips), all come with a sense of oppression. This sense pe se is kind of anxious living experience that survival reality conveys to every readers. Amid this scenario, readers will consciously or unconsciously follow the images, and looking for an exit to extricate themselves. Subsequently, he will either to successfully escape from his carefully woven world of visual images or to get lost in it and know nothing what to do. The readers will either merrily to participate in it or happily wander in or leave from the images without asking anything. However, the hard-constructed spiritual space made by JuTeng have encroached on the galleries of the art museum. JuTeng himself can be dubbed as a man with courage, resourcefulness and literary talent, his well-designed cultural codes have exerted amusement and imagination to the readers with eternal effects.