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  • Yi Zhang
  • Resume
  • Article

1996 Born in Hubei Province

2018 Graduated from Oil Painting Department of Guangzhou Academy of Fine Arts with a bachelor’s degree

2021 Graduated from Royal Academy of Fine Arts, Antwerp, Belgium with a master’s degree

SOLO EXHIBITION 

2022

“Nothing”, FRED&FERRY gallery, Antwerp, Belgium

2019

“Drawing as a Thinking Tool – Prijs Stockmans Art Books”, M HKA, Antwerp, Belgium

2018

“Nothing”, InSitu Atelier, Royal academy of Fine Arts Antwerp, Belgium

“Nothing”, SabakiSpace, Guangzhou, China

 

GROUP EXHIBITION

2022

The Image Generator, Sofia, Bulgaria

Radicale 1924, Saint-Cirq-Lapopie, France

Window Opener, Artwell Residencies, Amsterdam, Netherlands

Domestic Science, Pfand-Leeggoed, Brussels, Belgium

2021

The 3rd Edition of FutureLab, at West Bund Dome, Shanghai, China

To-be Antwerp, FRED&FERRY Gallery, Antwerp, Belgium

Wunderkammer, Cultuurcentrum Strombeek, Brussels, Belgium

Masters Expo 2021, Royal Academy of Fine Arts Antwerp, Antwerp, Belgium

Zone de Troc II, Kunstenfestivaldesarts, Brussels, Belgium

Kunst Op De Campus, Campus Drie Eike, Antwerp, Belgium

Redemption Song, Art partout, Antwerp, Belgium

Dummies Dummies, RAAT Antwerp, Antwerp, Belgium

Room theatre, OCT Boxes Art Museum, Shenzhen, China

2020

The Image Generator, Antwerp, Belgium

Out and About, Antwerp, Belgium

2019

Resiliência, Ponte dArte, Portugal

The Behavior of the Clouds, Royal Academy of Fine Arts Antwerp, Antwerp, Belgium

2018

GAFA Degree Show, Guangdong Museum of Art, Guangzhou, China

2017

The 7th Bi-City Biennale of Urbanism\Architecture (Shenzhen) (UABB), Shenzhen, China

Encounter with Art Experiment, OCT Boxes Art Museum, Shenzhen, China

 

AWARD

2021 Prijs van het Departement, Antwerp, Belgium

2019 Stockman Art books Price , Antwerp, Belgium

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An empty, open space. A space for rapprochement or meditation. An invitation to an intimate relationship with things and with each other.

Zhang lets the space breathe by means of small additions. Her drawings are minimal and fall apart in hairlines. The white cover of her book is printed with a stain of white UV varnish. Like dancing dust, only visible when a beam of light enters. Like a timid proposition, a restrained opinion, a barely expressed predilection.

 

Montagne de Miel, 17 August 2021

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