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  • Chen Maoshan
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1997 Born in Putian, Fujian Province

2020 Graduated from the Nanjing University of the Arts with a bachelor´s degree

2023 Graduated from the Nanjing University of the Arts with a master´s degree

Currently works and lives in Nanjing

 

GROUP EXHIBITION

THE TIMES-The 5th Jiangsu Provincial University Art Exhibition, Art Museum of Nanjing University of the Arts,NanjingChina

Power of Symbiosis-International Watermark Woodcut Print Invitation Exhibition,Hongyue Art Museum,Nanjing,China

Retrospect and Outlook-The 15th National Printmaking Teaching and Creation Annual Conference of Colleges and Universities, Art Museum of Nanjing University of the Arts,NanjingChina

The 8th Jiangsu Province New Art Exhibition,Nantong Art Museum,Nantong,China

NEW PRINTS EXHIBITION OF YANGTZE RIVER DELTA BASIN,Zhangjiagang Art Museum,Zhangjiagang,China

SHI XIANG FENG ZHI-National Watermark Woodcut Print Invitation Exhibition, Jiangsu Provincial Art Museum,Nanjing,China

JINGSHUI·BENLIU- The 7th Jiangsu Printmaking Academy and Jiangsu Printmaking New Works Exhibition, Jiangsu Provincial Art Museum,Nanjing,China

Jiangsu Art Sketch Exhibition,Yangzhou Art Museum,Yangzhou,China

SHUI MU JING HUA- The 2nd Yiya Chinese Modern Watermark Printmaking ExhibitionLingnan Club Exhibition Hall,Guangzhou,China

THE TIMES-The 6th Jiangsu Provincial University Art Exhibition, Art Museum of Nanjing University of the Arts,NanjingChina

YOUTH SPIRIT”-2024 JSCPA NOMINATION EXHIBITION OF NEW GENERATION ENGRAVING ARTISTS IN CHINA,Jiangsu Provincial Grand Theatre,Nanjing,China

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In the series of works "Shanyan" and "Rusi", through the repeated performance of the traditional schema of "mountain", a large number of transition and rendering techniques are used, and at the same time, based on self-understanding and ideas, as well as the reflection on the established connotation and image of the schema, the method of dislocation, reconstruction, superposition, A series of abstract expressions and ideographic interpretations, such as deformation, combined with the characteristics of watermark woodblock prints, try to break away from the limitations of inherent images to a certain extent, so that the works can express contemporary reflection on history and culture and self-perception of individuals while basing themselves on the broad platform of contemporary, so as to continuously promote the thinking on the contemporary transformation of traditional schemas.

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