2000 Born in Hangzhou, Zhejiang Province

2023 Graduated from Zhejiang Foreign Languages College, Art Department, Bachelor's degree

Currently studying for a Master's Degree at the Department of Fine Arts, Macau University of Science and Technology.

GROUP EXHIBITION

2023

Regrowth: Intertextuality and Becoming - Exhibition of Master's Degree Students' Works from Macau University of Science and Technology, Residential Museum of Lusophone Art in Lung Wan, Macau, China

2022

The Third Zhejiang Province Watercolor and Pastel Sketch Exhibition, Zhoushan Art Museum, Zhoushan, China

The 11th Wetland Theme Painting Competition, China Wetland Museum, Hangzhou, China

Blossoming May 4th - Moganshan National Youth Art Exhibition, Moganshan May 4th Village, Huzhou, China

Stimulating the Vitality of Non-legacy, Creating a Better Life - Non-legacy Theme Paper Cutting Exhibition, Hangzhou Baolong Art Center, Hangzhou，China

Taking "memory" as the core theme, the artist demonstrates the complexity and ambiguity of individual memory through her own images. With the background of her own growing up experience, she tries to explore the emotional memory of the individual's "self" in the "family" through the behaviors of painting, topography, tearing and hanging, etc. She takes the interaction between herself, the viewer and the work into consideration, creating a space where one can walk through and interact with the work. She takes into account the interaction between herself, the viewer and the work, creating a space where one can travel and feel the work up close, forming a place of reference that is full of tension and touches the heart. The works present the overlapping and changing of personal memories in a unique way, while conveying thoughts on self-awareness and growth. The artist intervenes to express the reshaping and reproduction of memory through behavior, and the continuous physical behavior in reality and the body image in memory play the roles of carrying memory and emotion in the works, which is a process of continuous "re-recognition" of the self-image in memory, which seems to dissolve the meanings presented by the works, and promotes the production of new meanings.

——Qiu Tao (Associate Professor, Art College of Zhejiang Institute of Foreign Languages, Executive Director of International Institute of Contemporary Art)