1989 Born in Yibin, Sichuan

2012 Graduated from Southwest University, Fine Arts Department, with a bachelor's degree

Graduated from the Art Education Department of the Fine Arts College of Southwest University in 2016 with a master's degree

Currently working and living in Chongqing

GROUP EXHIBITION

2021 Hundred Years of Splendor, Hundred Flowers Bloom -- Celebrating the 100th Anniversary of the founding of the CPC The 8th Chongqing Art Exhibition, Chongqing Art Museum, Chongqing

2021 ARTCLOUD (China) SAP Art Award Emerging Artists Exhibition, ARTCLOUD Global Original Art Center, Shenzhen

2021 The Second Chongqing Small Oil Painting Exhibition, Southwest University Museum, Chongqing

2020 The 3rd Qingdao International Contemporary Art Exhibition, Textile Valley 1902 Contemporary Art Museum, Qingdao

2019 National Art Fund Light Art Exhibition, Chongqing Factory 2, Chongqing

2018 Sichuan Fine Arts Institute Residency Art Final Exhibition, Luo Zhongli Art Museum, Chongqing

When an object is "picked up" and "placed" into a work of art, it is "digested" into content, inevitably losing its independence and becoming subsumed within the work. Is there any object that can escape this inevitability? Can any object break free from this unbreakable subordination?

Acceptance becomes a habit, and speculation and criticism become increasingly extravagant.
I attempt to deconstruct the relationship of subordination between the creative subject and the object while trying to dissolve the creator's existence. This is done in the hope of achieving a certain critical balance state between "zero" and "one"  of the self, the object, and the viewer, where the content fluctuates between existence and emptiness, with the "other" determining its presence or absence and ultimately, the production of meaning.