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  • Zheng Qinyu
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1994 Born in Jinan, Shandong Province

2016 Graduated from the School of Design of Central Academy of Fine Arts with a bachelor´s degree

2019 Graduated from the School of Design of Central Academy of Fine Arts with a master´s degree

2021 Graduated from the Illustration Department of School of Visual Arts with a master´s degree

 

Currently Works at the Printmaking Department of Central Academy of Fine Arts

Currently works and lives in Beijing

 

GROUP EXHIBITION

2023

Youth Youth Art Biennale, Shijiazhuang, Suzhou, China

Silent Nurturing Exhibition of Painting & Origin, Wenzhou, Zhejiang, China

Silk Road  Art for a Shared Future Exhibition of Excellent Works of Lan-cang-Mekong Cooperation Design Award, No.7 Space Station, E9 Zone Innovation Works, Beijing, China

2022

New Momentum Exhibition of Works by Invited Young Teachers, CAFA Art Museum, Beijing, China

NCPA New Years Exhibition of Engraved and Woodcut Prints, National Theatre, Beijing, China

2021

The Book Show, SVA Online Show

Selections from Thesis Projects, SVA Chelsea GalleryNew York, United States

1st International Digital Printmaking Exhibition, Changsha, Hunan, China

2020

Chinese New Generation 10 Female Artists Exhibition Anderson Contemporary, New York, United States

Chucks bucket  SVA Gramercy GalleryNew York, United States

2019

Delayed choice - Chinese New Generation Female Artists Exhibition, Princeton, United States

2016

Outstanding Works By Graduates of 2016 From CAFA, The Imperial Ancestral Temple, Beijing, China

I will be your eyes Group Artists Exhibition, Art Plus Gallery, Shanghai, China

2011

Sino-Germany Teenager Artwork Exhibition, Chinese Culture Center, Berlin, Germany

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Our generation has different feelings about the world compared to previous generations. In my opinion, our generation, unlike the two generations before us, don't see Eastern and Western art as on two opposite ends of the spectrum. At the same time, traditional Chinese art is not beyond comprehension. My artwork is based on the theme of Chinese antiques. In my artworks, we can see the trees and flowers in Changan through the eyes of the protagonists, touching period items such as jewelry boxes and nomad flutes through their hand - attempting to prove that they share the same joys and sorrows as us. In between these emotions, time quietly fades into the dust of history.

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