1988 Born in heijin, Shanxi Province

2011 Graduated from the Chinese Painting Department of the Central Academy of Fine Arts

 with a bachelor´s degree

2018 Graduated from the Chinese Painting Department of the Central Academy of Fine Arts with a master´s degree

2022 Graduated from the Chinese Painting Department of the Central Academy of Fine Arts with a ph.D degree

Currently works at the Postdoctoral Mobile Station of the Central Academy of Fine Arts

SOLO EXHIBITION

2024

"Hidden in Mountains and Seas" - Wang Xiangjie Solo Exhibition, Central Academy of Fine Arts Museum, Beijing,China

2020

"Traditional Heart Resonance" - Wang Xiangjie Solo Exhibition, Graduate School of the Central Academy of Fine Arts, Beijing,China

GROUP EXHIBITION

2024

"Hello, Shi Art Museum" - Opening Exhibition, Shi Art Museum, Zhengzhou,China

2022

"Full Yet Not Full", No. 19 Wangfu Central Environment, Beijing,China

"Golden Time", Soka Art Center, Beijing,China

2019

"Academy Classics" - National Fine Arts Colleges Mid-Young Age Gongbi Painting Exhibition, Hubei Academy of Fine Arts, Wuhan,China

2017

First Youth Painter Support Program - Jin Shangyi Art Foundation, China Oil Painting Academy, Beijing

,China

Since 2020, facing complex predicaments, I ventured into virtual travels via Google Maps, creating an internet sketch series centered around Mount Everest as the primary geographic coordinate. The works depict unconventional perspectives, showcasing visuals dominated by white and light gray shadows, marking the beginning of my "Hermitage" series. Upon completing my PhD in 2022, my creations evolved into an exploration of spatial complexity, particularly in "How Do We View Hermitage Now?", drawing from the Tang Dynasty's "Ten Records of a Thatched Cottage" text, reimagining traditional hermit scenes with techniques akin to 3D modeling. In 2023, delving deeper into the theme of hermitage, I shifted the focus to more realistic yet unreal scenes, using somber tones to reflect on the ideals and realities of hermitage, while also exploring expressions and connotations different from traditional landscape painting.