1988 Born in Zhangjiakou, Hebei Province

2011 Graduated from the School of Art and Communication, Beijing Normal University, awarded Bachelor's Degree

2017 Graduated from the Central Academy of Fine Arts, awarded Master's Degree

Currently faculty member at the School of Fine Arts, Guangxi Arts University

Currently works and lives in Nanning, Guangxi

Solo Exhibitions
2023
The Time Traveler – Hao Long Solo Exhibition, Weshine Art Space, Nanjing
2022
What I See – Hao Long Solo Exhibition, Weshine Art Space, Nanjing
2021
King of The Lives – Hao Long Solo Exhibition, Weshine Art Space, Nanjing
2018
Like This – Hao Long Solo Exhibition, Weshine Art Space, Nanjing

Group Exhibitions
2025
"Reference·Construction" Small-Scale Painting Exhibition, FFA Art Space, Nanjing
2024
MOORDN Art Fair, Guangzhou
Art Shenzhen Fair, Shenzhen
"Extraneousness" ——Artists Group Exhibition, ISM Art Space, Shenzhen
"Dark Sky Park: Section Behemoth", Shan Shang Art Space, Xiamen
2023
"Nomads in the South：Rivers, Tunnels, Dampness and Constellations" ——Young Artists Group Exhibition, Pingshan Art Museum, Shenzhen
2021
"South Picturesque" ——Chinese Oil Painting Exhibition, Suzhou Art Museum, Jiangsu
2020
"Excavation Discovery"——6th Chinese Oil Painting Exhibition of the Newcomers, China Oil Painting Academy, Beijing
2019
" South Picturesque " ——Chinese Oil Painting Exhibition, Suzhou Art Museum, Jiangsu
Sino-German Artists Exhibition, HISMOON Gallery, Taicang, Jiangsu
2018
Beijing Art Expo, Beijing Agricultural Exhibition Hall, Beijing
2017
Hi21 Art Market, Long Museum, Shanghai
2017 Work 《Like This》 awarded the "Exploration Prize" at 6th Chinese Oil Painting Exhibition of the Newcomers, China Oil Painting Academy, Beijing

My current work builds upon heavy tonal foundations, where strategic negative spaces allow the chromatic tension of underlying layers to pierce through the surface. This interplay of "concealment and revelation" merges with exaggerated, distorted human forms and coarse linear gestures to cultivate an enigmatic visual field.

Figures and botanicals hover in ambiguous voids—simultaneously evoking boundless wilderness and cosmic expanses. These suspended entities become manifestations of our collective psychological entanglements. Through this constructed liminality, I confront the dissonant realities of contemporary society: its sensory overload, identity-driven anxieties, and the grotesque theatrics of technological alienation.

The canvas thus transforms into a site of resistance—where raw brushwork defies digital perfectionism, and layered pigments archive the palimpsests of modern trauma.