2000 Born in Wuzhong, Ningxia Province

2018 Graduated from the Fine Art Education Department of Guangzhou Academy of Fine Arts with a bachelor´s degree

Currently Studies at the School of Creative Media of City University of Hong Kong for a master´s degree  

GROUP EXHIBITION

2025

Collect Hong Kong 2025, Hong Kong Arts Centre, Hong Kong, China

2024

YOUTH VISION - 2024 Shenzhen Youth Art Exhibition, Shenzhen Art Museum, Shenzhen, China

HYPERPHANTASIA - Artificial intelligence video exhibition, THE BOX, Beijing, China

ART CORROBORATION - 4th IDEA Young Artists Group Exhibition, Xu Liaoyuan MoMA, Chengdu, China

Busan International Art Festival, Busan Metropolitan City Exhibition Hall, Korea

ASIA DESIGN WEEK - Artificial intelligence and experimental art exhibition area, Xiongan Green Building Exhibition Center, Hebei, China

2023

CHASING DREAMS - Youth Art Exhibition of Guangzhou, Hong Kong and Macao, Guangzhou Youth Cultural Palace, Guangzhou, China

2021

10th China International Poster Biennale, OōEli POP-UP Gallery, Hangzhou, China

 I have always been fascinated by the delicate interplay between technological systems and lived human experiences. The two exhibited works serve as complementary perspectives: THE END seeks visceral connections with mortality within cold data streams, while M6310 reveals the hidden complexities of individual erasure within systematic frameworks. Together they frame my enduring question: When algorithms can calculate mortality rates and deconstruct identities, what irreducible essence of life might we preserve beyond quantification?

The harder technology attempts to define and regiment human existence, the more our humanity seeps through its structured grids—like rainwater that dutifully flows through gutters yet persistently pools in unexpected brick crevices. These works trace such paradoxes, observing how rigid systems inadvertently create space for organic resistance.