1997 Born in Baise, Guangxi Province

2019 Graduated from the Oil Painting Department of the School of Fine Arts, Guangxi Normal University with a bachelor's degree

2023 Graduated from the Oil Painting Department of the School of Fine Arts, Guangxi Normal University with a master's degree

Currently works and lives in Baise, Guangxi Province

SOLO EXHIBITION

2023

Twenty Five - Huang Litao Solo Exhibition,Chundao Building Art Museum, College of Fine Arts, Guangxi Normal University, Guilin, China

GROUP EXHIBITION

2025

"Blank Space" Young Artists Group Exhibition, Bordered Space,Beijing, China

"Moonlight Vast", Jing Zai Gallery, Shenzhen, China

2024

"Amber", IM Gallery, Guangzhou, China

"My Beautiful World" Hand drawn Card Exhibition, Nanjing, China

Shanghai Youth Art Expo - "Self media", Shanghai Style Art Museum, Shanghai, China

Playground theme exhibition, Falling Geese Art, London, United Kingdom

The 16th National University Student Art Expo, Wuhan, China

The Contemporary Art Exhibition "Concealment and Manifestation", Online exhibition

Wanxiang Chunhua's "Celebrating March 8th" Art and Design Exhibition, Online exhibition

2023

"Dark Night Park" Elf Chapter, Clup Tsunami Jinbo Society&Mountain Art Space, Xiamen, China

Guilin Oil Painting Biennial Exhibition - Building a World Class Tourist City, Guilin Art Museum, Guilin

The 4th Hebei University Art and Design Exhibition, Online exhibition

The series of works Glimpse will be permanently collected by the Art Museum of Guangxi Normal University

2022

Leisure Time won the Excellence Award at the 90th Anniversary Art Exhibition of Guangxi Normal University

2021

National Style won the "Excellence Award" in the art exhibition themed by the celebration of the 100th anniversary of the founding of the CPC by the Academy of Fine Arts

2019

Flowers was permanently collected by Guangxi Normal University

2017

Diao Purple and Diao Green were selected for the "Yearbook of Chinese College Students' Art Works"

I am a "detail monster," navigating between precision and chaos, in pursuit of an absurd dullness that is both refined and strange. I enjoy painting figures; the complexity of humanity provides me with endless inspiration. However, I do not like to paint specific individuals; they may be a thick double chin, a blurred face, a solitary figure, or a shiny bald head resembling a Mediterranean.

Starting in 2024, I will condense my work into three series: "Pearls, Rain, Shadows," exploring the contradictions in growth, emotional support, and ultimately, separation and release. It depicts an artistic narrative about vulnerability, safety, and eternal farewells. Using pearls as a thread, it weaves together my memories of childhood and reflections on growth, probing into the core question of human development: does true beauty often arise from pain, is that a truth? And when the pain of reality is too sharp, we instinctively seek a kind of "soft focus" to protect ourselves. If "pearls" represent the pains of growth, and "rain" is the emotional buffer, then "shadows" confront the deepest question of life—loss. Memories fade over time, and shadows gradually become blurry, yet their presence precisely proves the reality of what once was. Here, art becomes a means of self-healing; I attempt to complete a ritual of mourning for "loss" through my creations, thus achieving a form of "pessimistic optimism" and self-reconciliation.