1999 Born in Shenyang, Liaoning Province

2021 Graduated from the Oil Painting Department of Luxun Academy of Fine Arts with a Bachelor's degree

2024 Graduated from the Experimental Art Department of Luxun Academy of Fine Arts with a Master's degree

Currently works and lives in Shenyang, Liaoning Province

Liu Mingze

1996 Born in Yichun, Heilongjiang Province

2018 Graduated from the School of Visual Communication Design of Luxun Academy of Fine Arts with a Bachelor's degree

2024 Graduated from the Experimental Art Department of Luxun Academy of Fine Arts with a Master's degree

Currently works and lives in Shenyang, Liaoning Province

GROUP EXHIBITION

2024

How Problems Evolve, HOW Art Museum, Shanghai, China

Human-Machine Integration: The Era of Robotic Art, 798CUBE, Beijing, China

Korea A&DT Exhibition – Hyper Connect Design, Online exhibition, South Korea

Wuxi Metamorphic Metaverse Art Exhibition, Wuxi Canal Bund Art Museum, Wuxi, China

Nanjing Zijin Award Design Exhibition, Nanjing Urban Planning and Construction Exhibition Hall, Nanjing

Visual Liaoning 3rd Digital Art Exhibition, Liaoning Art Museum, Shenyang, China

No Rules – Experimental Art Exhibition, Mountain Art Museum, Dalian, China

2023

Problem Deduction, AIRSpace of Shenzhen Institute of Artificial Intelligence and Robotics (SIAIR), Shenzhen, China

Art Future Art Awards (International) – Outstanding Graduate Award Top 30 Shortlist, Online exhibition

Stars in Bloom: 7th Poly Academy Star Contemporary Art Exhibition, Time Museum, Beijing, China

Wang Xuehan: Mountains bear textures, rhythmic breath and pulse — they are waves in the slow flux of geological epochs. Though silent, their latent power resonates deeply. To me, these ranges are not mere components of nature; they are almost living entities, steadfastly chronicling the passage of time through their languid yet resolute existence. In this work, varied triangular forms symbolize mountain ranges. Controlled by mechanical systems, they undulate rhythmically in wave-like motions, mimicking the gradual shifts of tectonic plates and the perpetual interplay of mountain growth and erosion. Here, the vicissitudes of crustal movements become the mountain's breath. Their motions mirror the relentless march of urbanization and nature's adaptive counterpoint.

Liu Mingze: The imagery of this work originates from the kite of my childhood memories — its transparent form retains only silhouettes, while the absence of color reflects an introspective dialogue between self-awareness and the innocence of that bygone era, merging purity with inner contemplation.