Lungo Po Art Group

Guo Liang

1984 Born in Beijing

2008 Graduated from the Mechanical Engineering Department of Beijing University of Technology with a bachelor´s degree

2014 Graduated from the Painting Department of Academy of Fine Arts Albertina of Turin with a bachelor´s degree

2017 Graduated from the Painting Department of Academy of Fine Arts Albertina of Turin with a master´s degree

Currently works and lives in Beijing and Turin.

Wang Xueyi

1985 Born in Beijing

2008 Graduated from the Aeronautical Engineering Department of Imperial College London with a bachelor´s degree

2016 Graduated from the Visual Arts Department of Emily Carr University with a bachelor´s degree

Currently works and lives in Beijing and Vancouver.

Li Geyin

1987 Born in Beijing

2009 Graduated from the Industrial Design Department of Beijing University of Technology with a bachelor´s degree

2013 Graduated from the Printmaking Department of Academy of Fine Arts Albertina of Turin with a master´s degree

Currently works and lives in Beijing

Zhang Zhe

1987 Born in Beijing

2009 Graduated from the Industrial Design Department of Beijing University of Technology with a bachelor´s degree

2014 Graduated from the Painting Department of Academy of Fine Arts Albertina of Turin with a master´s degree

Currently works and lives in Beijing

SOLO EXHIBITION

2016

SKIMMING OVER THE SURFACE, Mingtai Space, Beijing, China.

2015

NO ONE KNOWS WHO’S AROUND, White House Space, Beijing 798, China

Lungo Po art group: As an art group, the creativity comes from the collective acts, and as the result the continuous impacts and synergies, the individual moodiness gradually yield to the Cogito. This forces us to keep reorganizing ideas, looking for the concepts about our common concerns, and those forms of expression much more objective. Recently, most of our works focus on the behavior of "watching". Through the closed glass box, the relationship between spectator and objects is limited to watching. But watching often transmutes into other activities, which sometimes even contradict the objects themselves. We try to create an space of infinite views detached from the daily life, in which the limit and infinity, continuation and separation, material and phantom, observation and existence are ambiguously entangled. Perhaps this is just precisely the ideal watching - a wunderkammer of the daily experience.