I prefer to pursue the changes of materials’ fluctuation and texture in a two-dimensional surface. I string different beads together in random order and blend in pearl embroidery to get concavo-convex changes. The texture is then naturally generated and changed as the area increases.
And the purity of monochromatic color can better show the stereoscopic impressions and textures of my work. Besides the different volume, I also applied two kinds of beads with subtle differences in the color--one is pure white and the other is a slightly darker beige.
I sought the change of three-dimensional space during the sewing, and then went back to achieve subtle changes in color on the flat surface. After these repeated changes, it is finally consistent as a whole.
In addition, a single color can not only make a difference to the size of my work, but also present a kind of true-life effect through its texture. Without doubt, not only the monochromatic expression, but the diversity of colors can also create tiny changes through subtle color contrast or attraction of close colors.