1984 Born in Nanjing, Jiangsu Province

2007 Graduated from Nanjing Academy of Art of Chinese Painting Figures Studio with a bachelor´s degree

2012 Graduated from Nanjing Academy of Art of Chinese Painting Characters with a master´s degree

Currently works and lives in Nanjing now

                

GROUP EXHIBITION

2019

2019 Art nova 100, Guardian Art Center, Beijing, China

Geographical Records - Invitation Exhibition of Young and Middle-aged Ink and Wash, Xinhua All - Media Art Museum, Nanjing,China

2018

China 2nd Illustration Art Exhibition, Meilun Art Museum, Changsha,China

2017

Jiangsu Biennial Art Exhibition, Baijiahu Art Museum, Nanjing,China

2016

Future Form - Post-80s Ink and Wash Exhibition, Jinling Art Museum, Nanjing,China

2014

Material·State - Nominated Exhibition of Contemporary Young Fine Brushwork Painters, 1865 Vander Art Block, Nanjing, China

2013

Zi Zai - Invitation Exhibition of New Youth Ink and Wash, Mustard Art Museum, Nanjing,China

2011

Our land is rich in beauty - China Jinling Painting Exhibition of 100 Paintings,2011, Jiangsu Museum of Art, Nanjing,China

The process of reflecting upon the "inner world" is closely related to my creative experience at different stages. My “Act without due consideration ends up in failure” series is what I really started to look for my own artistic path.When i created the series "So Near So Far", I realized the existence of the "inner world;" it is a world that belongs only to myself but remains untouchable. In a spontaneous realization, I saw an expanse of desolate cleanness, like huge silver mountains covered in moonlight, and I was instantly shocked by the spotless magnificence of the world in front of me, struck by the infinite loneliness under the power of time. I drew out that experience and divided the various "dimensions" and "latitudes" with black and white geometric patterns. If "dimension" represents different opposing spaces, such as whole and fractured, virtual and real, gathered and scattered, black and white, etc, then latitude would represent cultural differences, aesthetic oppositions and mental contrasts. In the same visual context, in order to achieve a broader extension of the internal force, came the series of “Dimensional and Latitudinal Boundaries.”