1991 Born in Yingtan, Jiangxi   

2012 Graduated from Chinese Painting Department of China Academy of Fine Arts with a Bachelor's Degree

2015 Graduated from the Department of Traditional Chinese Painting of China Academy of Fine Arts with a Master's Degree

Currently Studies at the Central Academy of Fine Arts for a ph.D´s degree

SOLO EXHIBITION

2018

Translation and Close View - Zhang Sunzhe's Individual Works Exhibition, Central Academy of Fine Arts, Beijing,China

2016

Sky and Sea - Zhang Sunzhe's Individual Works Exhibition, Sanqing Shang Benini Space, Hangzhou,China

GROUP EXHIBITION

2019

2019 Art nova 100, Guardian Art Center,Beijing,China

Character - Image,Art granary,Beijing,China

2018

Four Seasons Dialogue - Theme Exhibition, Riverside Gallery, London,UK           Painting Early Spring again - Theme Exhibition, Sanqing Shang Art Center, Hangzhou,China 

2017

the only flower in the world - theme exhibition, Sanqing Shang Art Center, Hangzhou,China     

2015

Landscape View - Theme Exhibition, Art Museum of China Academy of Fine Arts, Hangzhou,China

2012

the Graduation Works Exhibition of the Chinese Academy of Fine Arts was awarded the Silver Prize, the Art Museum of the Chinese Academy of Fine Arts,Hangzhou,China

 My practice can be divided into two directions: literary works and visual works. In the creation of words, I infiltrate the inscriptions in Chinese art into the pictures. The inscriptions have an extraordinary mission in both Chinese and Western cultures. They are the performers of the "commemorative" and the "lofty". The world discovers clues of the past in the traces of the "steles" that carry the temperature of history and convey the artistic characteristics of the Chinese characters. I attach texts and graphics to the canvas, trying to establish a magnetic field that resonate with the ancient history. When facing the creation of painting theme, the surrealist style is the crossbeam of my visual system, constructing its own mode of seeing and thinking, gradually building up the space of my work. I put objective things in the picture, trying to create a fanciful effect within the two-dimensional images, replacing the observable world with illusory scenes, so as to destroy the stale and helpless reality. Behind the seemingly quiet works, there is an anxiety for "crisis".