1996 Born in Yongchun, Fujian Province

2020 Graduated from School of Chinese Painting of Tianjin Academy of Fine Arts with a bachelor’s degree

2021 Graduated from Tianjin Academy of Fine Arts with a master’s degree of Fine Arts

Currently works and lives in Tianjin and Fujian

GROUP EXHIBITION

2022

Inconvenient Ways in the Waves of Time – The 9th Fanxing Project, Tree Art Museum, Beijing, China

Delicate Flip – Shanghai Young and Medium-Aged Artists’ Fan Painting Exhibition, Duo Yun Xuan Art Center, Shanghai, China

Happy Tianjin – Fine Arts Photography Exhibition, Tianjin Art Museum, Tianjin, China

New Image of the Era – Young Artists Creation and Exchange Exhibition in Twenty-four Provinces in China, Fujian Art Gallery, Fujian, China

New Image of Chinese Painting – Future-Oriented Chinese Painting Art Exhibition, Shu Xin Tang Art Gallery, Shenzhen, China

A Collection of Chinese Painting – Invitational Exhibition of Contemporary Calligraphy and Painting Works, Yun Ji Ge Gallery, Beijing, China

2021

Style of Fu Bao Shi – The 1st Chinese Painting Biennale, Jiangsu Art Museum, Nanjing, China

Money from Everywhere – Invitational Exhibition of Contemporary Chinese Paintings, Qing Mi Ge Gallery, Beijing, China

The 5th Chinese Contemporary Crafts and Fine Arts Biennale, Chinese National Academy of Arts, Beijing, China

2020

Seeking Treasures in the World of Art – Chinese Art Exhibition, Wan Fung Art Gallery, Hong Kong, China

Deer Theme - Invitational Exhibition of Contemporary Chinese Paintings, Qing Mi Ge Gallery, Beijing, China

Xu Qinsong Creative Award Outstanding Works Exhibition, Guangzhou Baiyun International Airport, Guangzhou, China

2019

Collection of the 6th Biennale of Ceramic Art in Western China, Fubao Art Museum, Chengdu, China

The 2nd Best Handicrafts of China, National Art Museum of China, Beijing, China

Maybe it’s because of the environment of my growing up. My parents are both experts on sculptures. Out of curiosity, I loved asking questions like “Why?” and “What is it?” when I was little. My parents would answer my questions with patience. Those answers were about materials and image. Some of them were about representation and symbolic & metaphorical spiritual sustenance. Being muddled, it seemed that I started caring about images and the meanings behind them with curiosity.

René Magritte once said, “There is always something hidden behind everything we see. We always expect to see what’s hidden in front of us.” With professional improvement and personal growth, my desire to tap into presentation & the hidden image & the meaning behind them. I tried to tell about them in the ways I know.

Painting somehow is individualized. Chinese painting is especially individualized as its expression is more subtle and deep than other genres of painting. In terms of historical context, Chinese literati painting is a window to express human spirit. It’s an introverted expression in which creators seek their own ideal world and try to avoid real life. I also pursue the same in my creative ideals. Maybe it lacks the hearty and pleasure of “scribble writing and self-chatting for entertainment” in my application of the ink techniques used in Chinese ink-and-wash painting; however, my expression streaming down the ink on my paintings seems to be obvious.